We would like to present to you Boris Bidjan Saberi’s Spring/Summer 2019 Men’s Paris collection.
Photography by Matthew Reeves.
Kei Shigenaga decided to become a jewelry maker because he saw it as an intersection of fashion and sculpture, two things he’s been interested in for a long time. “I feel that jewelry is not simply something fashionable, but it can be an art object you can have with you every day,” says the Japanese silversmith, who makes everything by hand in his Tokyo studio. He often goes back to traditional Japanese culture for inspiration, trying to make it modern in his own way. Lately he’s been interested in “kintsugi,” a traditional form of art where broken ceramics are mended back together using lacquer covered with gold dust, only Shigenaga uses melted gold instead. In a way, the combination of destruction and creation is the crux of his work.” In my work I try to concentrate on the roughness of precious metals,” says he. He is interested in tension between the image of fine jewelry as something delicate, yet tough.
Iris van Herpen: Transforming Fashion is now on display at the Royal Ontario Museum complimented by the installation Philip Beesley: Transforming Space.
Heavenly Bodies: Fashion and the Catholic Imagination, the new fashion exhibit at the Metropolitan Museum of Art in New York is marketed as the biggest one its Costume Institute has put on to date.