As Volga Volga prepares to show its collection for the first time at Pitti Uomo in Florence, we talk in depth with the Tokyo-based, Russian born designer who has spent years working with Yohji Yamamoto and has collaborated with Comme des Garcons.
We would like to present to you shoe designer Carolin Holzhuber’s collection (UN)COVER. Holzhuber is a young Austrian designer working in London, where she makes each pair of shoes by hand. She also produced the shoes for the last Iris van Herpen haute couture runway show in Paris.
We would like to present to you an exclusive capsule collection by Song for the Mute for Lane Crawford.
Greg Rosborough and Abdul Abasi of Abasi Rosborough speak about their practical approach to modern menswear and why the suit is outdated.
I have a beautiful Undercover perfecto jacket in my closet. It’s made from silky jet-black lambskin and lined in tartan. The genius of its design is the doubling up of every pocket that a usual perfecto has.
By the time the Belgian designer Martin Margiela was appointed as head designer of the storied maison Hermes in 1996, he was widely seen as being at the forefront of the fashion’s avant-garde.
We would like to present to you Tobias Wistisen’s Fall/Winter 2017 jewelry collection.
Photos courtesy of Tobias Wistisen.
Photographer: Raul Diaz (Instagram @rrrdiaz / www.rrrdiaz.com)
Models: Anne Lise Maulin + Erik Sakai
Clothing: m.a+ collection 17s
I first met the photographer Deborah Turbeville in 2011 when I profiled her for our second print volume. It turned out that Deborah was an avid Russophile, and our conversation ranged from her work to her love of Russian literature, cinema, music, and ballet. After Deborah passed away, it was the first article from our print editions that we shared online.
I kept in touch with people who managed Deborah’s estate, and early this year I finally went to see her archive, housed in an Upper East Side townhouse and to meet its co-director, Paul Sinclaire, who also was one of Deborah’s closest friends. While I was browsing the photos, like some kid in gothic Disneyland, I spotted a box titled “Comme des Garçons.” I went through it, and the ethereal, otherworldly photos in it were marked “1981.” Could it be that Deborah had shot the first collection Kawakubo presented in Paris? It very well could, though we did not know for sure. But what I did know was that given the May exhibition of Comme des Garçons at the Met these photos should be made into a book. I asked Paul what he thought about making a book, and he loved the idea.
If you go to the Met Museum’s Comme des Garçons show, do not leave without buying the accompanying catalog. If you don’t go to the show, buy the catalog. This is as simple of advice as I can give you about this stunning publication by the Met (distributed by Yale University Press). The white, oversized…