One of the things we love at StyleZeitgeist is bringing interesting people from fashion and other cultural realms together, especially when these people are musicians. Bryan Black, known popularly as Black Asteroid has played at some of our events, and his heavy hitting industrial techno has kept us dancing more than once well into the night.
We would like to introduce to you Blyszak, an ethically-sourced buffalo horn and metal eyewear brand by Andrew Blyszak. Originally intended for personal use, the brand launched last year as Blyszak found that the matte black design had a broad gender neutral appeal. The pieces are created in partnership with a London-based master craftsman utilizing now uncommon materials.
It is hard to believe that it will soon be ten years since I started my first venture www.stylezeitgeist.com, a forum platform for discussing avant-garde and artisanal fashion. It is equally hard to believe that StyleZeitgeist magazine, which began as its extension, but has took on a life all of its own, will turn five.
The new fashion exhibit Manus x Machina at the Metropolitan Museum of Art in New York explores the relationship between fashion made by hand and by machine. One of its sub themes is the marriage of the most traditional handwork couture methods and the most advanced technological methods of clothes-making. Amongst its selection are seven dresses by the Dutch designer Iris van Herpen, who stands peerless in doing just that.
There is a depth to her work that results in garments that are often called “otherworldly” or “futuristic,” though van Herpen will be the first to tell you that she sees them firmly rooted in reality. Another misconception, perpetuated by the fashion media that runs after trendy stories and by the general media that runs after sensationalist ones, is that van Herpen’s work centers on 3D printing. In reality, her work traverses a wide variety of techniques and materials in service only to two things; to give free reign to van Herpen’s imagination, and to transcend fashion itself.
We would like to introduce to you Diaboli Kill, a luxury jewelry brand designed by Angie Marei in New York City. Marei draws inspiration from old Hollywood, ancient Egypt, and occult movies as well as incorporating art deco to create her pieces.
This week the new fashion exhibition “Manus x Machina: Fashion in an Age of Technology” opens at the Metropolitan Museum of Art in New York. It aims to challenge the notion, usually found in the popular imagination, that handwork and machine work somehow exist in the state of opposition.
This week the Metropolitan Museum of Art unveils its new fashion exhibition, MANUS X MACHINA. We would like to introduce to you Flowen, a “Digitally Grown” jewelry brand based in Los Angeles, whose work will be presented at the exhibition. Flowen is inspired by the complexity of nature and grow their products from a precious metal powder transformed into separate pieces without byproducts, a technique akin to 3D printing, which are then assembled by artisans in Italy.
We would like to introduce to you TACET, a niche silver jewelry brand designed by Alexey Artemov in New York City. Alexey is also a musician and a producer, and he aims to translate his love of music into his jewelry. The label is now stocked in New York exclusively at Hotoveli.
SAVE THE DATE! MORE INFO SOON.
Capturing the nineties moment as a young, skinny, intimidatingly cool, raw, isolated, and underground night rider, Robbie Snelders was in the right place at the right time. Some 20 years ago his life took a dramatic turn and landed him in the then-emerging menswear brand, Raf Simons. He represented then, and still does now, the essence of that era and everything that the brand stood for in its early days. Fashion being the mirror of the zeitgeist and of tendencies within society, Snelders’ style became a trademark for youth culture around the world.