The 80 or so medium-sized, B&W photographs up at Yossi Milo Gallery by Provoke founder Takuma Nakahira in his first solo US show may initially read as street photography but what “Circulation: Date, Place, Events” really amounts to is an exercise in intellectual honesty, and a brutal one at that.
The prints on view were selected from negatives created by Nakahira during the Seventh Paris Biennale held in the autumn of 1971. When Nakahira was invited to participate he was in an intellectual rut after the publication of his classic photo book “For a Language to Come” (a rut documented with Daido Moriyama in his 1972 classic, “Farewell Photography”). As he describes it in “Photography, a Single Day’s Actuality,” one of his essays reprinted in the book “Circulation: Date, Place, Events”
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