Looking over the body of work of the London jeweler Shaun Leane, may leave you with visions of bipolarity.
During this past fashion show season one of the most talked about collections was the runway debut of Bottega Veneta under its new creative director, Daniel Lee.
At the beginning of “McQueen,” the mostly polite, deferential documentary on Alexander McQueen, the designer says off camera that he does not care what others think, and that his creativity depends on his honesty.
Heavenly Bodies: Fashion and the Catholic Imagination, the new fashion exhibit at the Metropolitan Museum of Art in New York is marketed as the biggest one its Costume Institute has put on to date.
This hasn’t been the case with fashion designers until the 2010 suicide of Alexander McQueen. And while you couldn’t exactly sell his artwork at inflated prices, an entire post-mortem cultural industry sprang up around his legacy. This is a testament not so much to McQueen’s unquestionable genius, but to how much more central fashion has become to the contemporary cultural experience. (We did not see such an explosion of media after the murder of Gianni Versace, for example.)
Proliferation of books on the designer Alexander McQueen since his suicide in 2010 has been a boon to his fans. Or an unabashed attempt by publishers to exploit his death for monetary gain – you decide. On my recent visit to the “Alexander McQueen: Savage Beauty” exhibit in London there was literally a wall of books devoted to him. Before his death the number of books I remember seeing devoted to McQueen, probably the most talented designer who has ever lived, was zero. The best attempted at analysis was done by Caroline Evans in her important book, “Fashion at the Edge.”
Alexander McQueen: Quotes
We would like to present to you Part II of our coverage of Alexander McQueen: Savage Beauty exhibit at the Victoria & Albert Museum in London.
We would like to present to you an in-depth review of the Alexander McQueen: Savage Beauty exhibit at the Victoria & Albert Museum in London. Tomorrow, we will publish a comprehensive photo essay of the exhibit shot for StyleZeitgeist magazine.
In the 1990s, Alexander McQueen formed a close relationship with the photographer Ann Ray (Anne Deniau), allowing her to photograph his studio and shows forming what he called, ‘my life in pictures’. Thirteen of these pictures will be on display at V&A in preparation for the upcoming exhibit Alexander McQueen: Savage Beauty.