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Sebastian Meunier: To Be Myself

A little over two years ago Ann Demeulemeester announced her retirement from her signature label. After the initial shock subsided, the question of succession inevitably came up. That’s when Sebastian Meunier, a Parisian designer who has had a long tenure at Margiela before joining Ann Demeulemeester, stepped out of the shadows. Meunier spent two years at the label before Demeulemeester’s departure and has worked closely with her. But the big question remained; how could anyone fill the shoes of a designer whose style was so clear and who was so inextricably linked to her label? In other words, could there be Ann Demeulemeester without Ann Demeulemeester?

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Fashion Week Ramblings F/W 16

This past men’s fashion week was marked by a sense of schizophrenia more than anything else. Half of the shows in Paris were held in opulent palatial spaces and the other half in basements stripped of everything but their concrete foundations. The reactions of critics and buyers were similarly split. The editors I spoke with mostly shrugged shoulders and talked of consistently lowering expectations, while buyers thought the season more than solid.

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More Photos From S/S 16 Men’s

We figured the more photos from this past men’s fashion week the better, so here are some I have taken. While I possess neither the skill nor the equipment of the three photographers that shoot for StyleZeitgeist in Paris – A.P., Julien Boudet, and Matthew Reeves (thank you all!) – I hope you will still enjoy them, as they are shot from different angles and often at close range. The images are arranged in chronological order – Haider Ackermann, Rick Owens, Boris Bidjan Saberi, Julius, and Ann Demeulemeester.

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Fashion Week Ramblings – S/S 2016

“Nothing,” answered a prominent New York buyer when I asked her what she liked during this past men’s fashion week. While I wouldn’t go this far, the Spring/Summer 2016 season was decidedly mixed. The overarching question, which began forming in my head during the first day of shows in Paris was, “What makes a good collection?” Is it the theme or its execution? Do we look for a designer to tell an interesting story, to interpret a theme worth exploring through clothes, or to produce beautiful, interestingly constructed garments? Ideally, both.

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Op-Ed: Why The 90s Matter

Everyone who goes through his formative years in a certain decade considers it the golden age. Obviously, the 90s were the best decade ever.

But let’s go beyond facetiousness. In terms of cultural production it is obvious that every decade has the good and the bad. What is more interesting is how much of the good and how much of the bad the zeitgeist of every decade produces, and what gets to hit the mainstream. Why 90s matter is that it was the decade when culture, and fashion as part of culture, took the last stand before succumbing to pure, unapologetic commerce.