The Japanese photographer Daido Moriyama celebrates his 79th birthday on October 10 but you would never know it looking at his recent photographs currently up at Lurhing Augustine’s Bushwick space.
Norlan, co-founded by designer Sruli Recht, is releasing their third product, Norlan Glass VAILD, a matte black whiskey glass.
Up on the 2nd floor of a Wooster Street loft building The New York Earth Room by Walter De Maria bides its time, with hardly a building placard to announce its presence among the retail shops of Soho.
In Volume 5 of our print magazine, we profiled New York City photographer Katsu Naito and his 2011 photobook, Westside Rendezvous, which is comprised of several Meatpacking District streetscapes but mostly portraits of transgender prostitutes that plied their trade there in the afternoons of the late 80s and early 90s.
For two days only, Septhember 6th and 7th, the groundbreaking Japanese visual and sound artist Ryoji Ikeda premieres his new work, supercodex [liveset], at the Metropolitan Museum of Art in New York. The performance is based on his eponymous 2013 album. The final installment of his album trilogy, supercodex [liveset] explores the relationship between data and sound through rhythmic and raw samplings from his earlier albums and hypnotic, enveloping audiovisual installations. If you missed his epic immersive installation “THE TRANSFINITE” at the Park Avenue Armory, this is a good chance to catch up. Tickets are $45.
In art, the tension between artistic expression and commercial work is nothing new. Every artist dreams of being unfettered by commercial constraints; some good ones get to pour their creativity into commercial work; for the lucky few it can even pave a path to art (James Rosenquist is one famous example). The Japanese cnematographer Kensaku Kakimoto has found commercial success early on in his career. At only 34, he has already created a slew of videos for some of the biggest Japanese and international brands like Toyota and Coca-Cola. He has also produced three feature films in Japan.
If there was one leitmotif in the work of the Japanese photographer Masahisa Fukase, it’s solitude, or more precisely, loneliness.
There is something attractive in polymaths, namely that the way they operate bespeaks a certain unstoppable curiosity on their part, whether intellectual or artistic.
This past December, the Museum of Contemporary Art in Los Angeles put on an exhibit of Rick Owens’s furniture. If you missed the show, which closed on April 2nd, you can still get the belatedly released book that provides a glimpse into that part of Owens’s oeuvre
If art is supposed to reflect the world around us, than the American artist Robert Rauschenberg is an artist par excellence. Rauschenberg was one of the most important artists in the burgeoning, energetic New York art scene of the mid-2oth Century. His ability to gather materials from the dilapidated, grim streets of New York and morphing them into art remains unparalleled, and his influence on the likes of Andy Warhol, who was heavily influenced by Rauschenberg’s silk-screening techniques, is undeniable.