The Metropolitan Museum of Art in New York City has announced that its spring exhibition will be the overview of the work of none other than Rei Kawakubo of Comme des Garcons.
This week the new fashion exhibition “Manus x Machina: Fashion in an Age of Technology” opens at the Metropolitan Museum of Art in New York. It aims to challenge the notion, usually found in the popular imagination, that handwork and machine work somehow exist in the state of opposition.
Following its European launch, Comme des Garcons is releasing a new scent, DOT, at Dover Street Market in New York today. Though the company has authored seventy-five scents, DOT is its fifth scent created in-house, and the first since 2011. The scent riffs on the polka dot, which could serve as an unofficial CDG emblem. The prime note in the scent is that of the Osmanthus flower, which grows in the parks all over Japan in the fall.
This past men’s fashion week was marked by a sense of schizophrenia more than anything else. Half of the shows in Paris were held in opulent palatial spaces and the other half in basements stripped of everything but their concrete foundations. The reactions of critics and buyers were similarly split. The editors I spoke with mostly shrugged shoulders and talked of consistently lowering expectations, while buyers thought the season more than solid.
We would like to present to you Comme des Garçons Homme Plus’ Fall/Winter 2016 collection.
As holidays approach we wanted to share the things we love that might make good gifts.
Photographer: Wenjun Liang, Model: Yudu Zheng @ IMG, Stylist: Christine de Lassus @ Art Department, Stylist Assistant: Armando Figueredo, Make Up: Miguel Lledo, Hair : Shinya Nakagawa
Last week Comme des Garçons opened their first freestanding POCKET shop in New York City. The concept store carries PLAY, perfume, wallets and other items.
Comme des Garcons is no stranger to the perfume business and has been knocking out great scents year after year at a good clip. Its new fragrance, Floriental, comes from the idea of reimagining a flower that has no scent (in this case, the Cistus flower). It also redefines traditional notions of perfume-making with no definite top, middle, or base scent notes.
“Nothing,” answered a prominent New York buyer when I asked her what she liked during this past men’s fashion week. While I wouldn’t go this far, the Spring/Summer 2016 season was decidedly mixed. The overarching question, which began forming in my head during the first day of shows in Paris was, “What makes a good collection?” Is it the theme or its execution? Do we look for a designer to tell an interesting story, to interpret a theme worth exploring through clothes, or to produce beautiful, interestingly constructed garments? Ideally, both.