I had forgotten that Doubleday editor Jacqueline Kennedy Onassis originally commissioned the photographs from Unseen Versailles by the late Deborah Turbeville that are on view at Staley Wise in 1981. The mind at first could not, perhaps did not, want to reconcile the withdrawn, intimate vision that is Turbeville’s with the stately, public and, one imagines, rigid New York of Kennedy Onassis.
“Future Beauty: 30 Years of Japanese Fashion” is currently showing at the Gallery of Modern Art (GOMA), in Brisbane, Australia. The exhibition comes from the archives of the prestigious Kyoto Costume Institute and explores the influence Japanese fashion designers have had over the last thirty years.
The comprehensive collection is comprised of more than one hundred pieces from the heavyweights like Rei Kawakubo of