The Dutch artist Maurits Cornelius Escher is a bit of a strange figure. Not exactly a mainstay of art history, certainly outside of the main art movements of the 20th Century, he is not known for any grandiose statement or gesture or a moment-defining work.
If art is supposed to reflect the world around us, than the American artist Robert Rauschenberg is an artist par excellence. Rauschenberg was one of the most important artists in the burgeoning, energetic New York art scene of the mid-2oth Century. His ability to gather materials from the dilapidated, grim streets of New York and morphing them into art remains unparalleled, and his influence on the likes of Andy Warhol, who was heavily influenced by Rauschenberg’s silk-screening techniques, is undeniable.
The Metropolitan Museum of Art in New York City has announced that its spring exhibition will be the overview of the work of none other than Rei Kawakubo of Comme des Garcons.
If you happen to be in New York this spring, Enrico Castellani’s new exhibit, Interior Space, at the uptown gallery Dominique Levy is worth a visit. It’s the first solo exhibition of the revered Italian artist in the gallery, and it spans Castellani’s oeuvre from the 60s to the near present. Castellani was part of the Zero movement, which is now having a resurgence of interest with museum and gallery exhibits around the world, and he, along with his acquaintance Lucio Fontana, is one of the best known Italian figures of the mid-20th Century avant-garde.
If you happen to be in Paris, don’t miss the Anselm Kiefer exhibit at Centre Pompidou. This comprehensive retrospective, first in Paris since 1984, of nearly 150 works of the German master of pain and reckoning is spread over ten thematically organized rooms. It is an awe-inspiring show, profound and simultaneously quiet and disquieting.