This feature article was initially published in the fourth print volume of StyleZeitgeist magazine in 2013. We are publishing it online for the first time to coincide with the release of our podcast episode with Aitor Throup. I London – A long time ago in a galaxy far, far away, at least in fashion terms,…
This is not a book review, because I cannot review a book I edited. Instead, I wanted to write a few sentences about Stone Island and about the book, Storia, that came out today.
I am straight. This must be stated for the purpose of this article, because it’s about my history of buying women’s clothes.
In a wide-ranging interview the designer talks to us about his two new books, his body of work, the role of irony and politics in it, his fanbase, and the current generation of fashion.
During this past fashion show season one of the most talked about collections was the runway debut of Bottega Veneta under its new creative director, Daniel Lee.
When Supreme started making clothes in 1994, its ethos was crystal clear. It was a downtown skate brand for downtown skaters.
Last week the Business of Fashion published my Op-Ed lamenting the exodus of creative labels like Thom Browne and Proenza Schouler, who decided to move their shows from New York to Paris.
As Volga Volga prepares to show its collection for the first time at Pitti Uomo in Florence, we talk in depth with the Tokyo-based, Russian born designer who has spent years working with Yohji Yamamoto and has collaborated with Comme des Garcons.
We would like to present to you shoe designer Carolin Holzhuber’s collection (UN)COVER. Holzhuber is a young Austrian designer working in London, where she makes each pair of shoes by hand. She also produced the shoes for the last Iris van Herpen haute couture runway show in Paris.
Greg Rosborough and Abdul Abasi of Abasi Rosborough speak about their practical approach to modern menswear and why the suit is outdated.