Iris van Herpen F/W21 Haute Couture – Paris
We would like to present to you Iris van Herpen’s Fall/Winter 2021 Haute Couture digital Paris collection.
Iris van Herpen S/S21 Haute Couture – Paris
We would like to present to you Iris van Herpen’s Spring/Summer 2021 Haute Couture digital Paris collection.
Iris van Herpen F/W20 Haute Couture – ‘Transmotion’ Short Film
We would like to present to you Iris van Herpen’s Fall/Winter 2020 Women’s Haute Couture Paris collection short film, “Transmotion”.
Iris van Herpen S/S20 Haute Couture – Paris
We would like to present to you Iris van Herpen’s Spring/Summer 2020 Women’s Haute Couture Paris collection.
Iris van Herpen S/S19 Haute Couture – Paris Backstage
We would like to present to you Iris van Herpen’s Spring/Summer 2019 Haute Couture Paris collection backstage.
Iris van Herpen S/S19 Haute Couture – Paris
We would like to present to you Iris van Herpen’s Spring/Summer 2019 Haute Couture Paris collection.
GIVE GOOD GIFT 2018
We know we are serious about what we write, but this is our annual non-serious post.
Aesop x Iris van Herpen: Atlas of Attraction
Here at StyleZeitgeist we are mostly sick of the tsunami of meaningless, and sometimes downright absurd, collaborations that have taken over the world.
Iris van Herpen F/W18 Couture – Backstage
We would like to present to you Iris van Herpen’s Fall/Winter 2018 Haute Couture collection backstage.
Photography by Julien Boudet.
Studio Visit: Philip Beesley
When you talk to the Canadian architect Philipp Beesley, a long time collaborator of the designer Iris van Herpen, you must rewire yourself. Beesley talks in abstractions – instead of walls and floors and ceilings, you get planes, and motion, and thermodynamics. This isn’t because he’s trying to obfuscate anything, it’s just the way his mind works. In a way it’s a requirement for Beesley, because he has moved on past the traditional architecture of making buildings, which he has done exceedingly well in his career. Instead he creates spaces and environments that operate on a level above the basic requirements of architecture, such as protection from the elements. It’s not that it’s not his concern, but these problems have been thoroughly solved. Instead, he’s more concerned how space interacts with human beings on a philosophical level – freedom, community, interaction. Abstraction is the language that’s required.