If you find yourself in Tokyo in the next month and don’t go to the expansive exhibit of Chiharu Shiota at the Mori Museum you will have no one to blame but yourself.
It’s no secret that the current niche fragrance market is in great shape.
The art world has its own trends and fashions that come and go. Artists and art movements get discovered and rediscovered, sometimes with a nudge from powerful art collectors who first stock up on the art and then make bank once they help popularize it.
A collective and hearty thank you ought to go out to the team at David Zwirner responsible for conceiving and executing the installation of Ruth Asawa’s hanging wire sculptures at West 20th Street.
If you go to the Met Museum’s Comme des Garçons show, do not leave without buying the accompanying catalog. If you don’t go to the show, buy the catalog. This is as simple of advice as I can give you about this stunning publication by the Met (distributed by Yale University Press). The white, oversized…
This past December, the Museum of Contemporary Art in Los Angeles put on an exhibit of Rick Owens’s furniture. If you missed the show, which closed on April 2nd, you can still get the belatedly released book that provides a glimpse into that part of Owens’s oeuvre
As you may have gathered we are always intrigued by cross-cultural conversations between fashion and other disciplines. But we recently came across one originated by a perfumer. It was from the French brand Liquides Imaginaires, whose author, Philippe Di Méo, teamed up with three ballet dancers and Julien Benhamou, Paris National Opera’s photographer to make a short film inspired by the Charles Baudelaire poem “Elevation.”
Few artists that came into their own after high modernism measure up to Francis Bacon, whose paintings are models of twisted introspection. What’s more, Bacon actually knew how to paint. Not silk-screen, not put messages on LED boards, not make collages, not arrange objects together, but actually work with phenomenal skill like the greatest of the artists had done. And his work hits not only on the visceral level, but on the intellectual as well.
We would like to present to you an in-depth review of the Alexander McQueen: Savage Beauty exhibit at the Victoria & Albert Museum in London. Tomorrow, we will publish a comprehensive photo essay of the exhibit shot for StyleZeitgeist magazine.
One day, back in the 80s, the German filmmaker Wim Wenders saw pictures of the Brazilian-born photographer Sebastiao Salgado at a gallery in Los Angeles. He was so impressed that he bought two prints on the spot. Since, Salgado has quickly become his favorite photographer. Wenders continued to follow his work, and one day, being who he is, Wenders decided to simply knock on Salgado’s door.