Notes on a (Highsnobiety and Vetements) Scandal

Last week the influential streetwear and youth culture news website Highsnobiety published an article claiming that Vetements has been losing clout with fashion forward consumers. It cited several store buyers, who wished to remain anonymous, about lukewarm customer demand that has led to slashing orders and putting the once hyped brand’s goods on sale, something that Vetements tried to avoid by keeping their production runs small. The buyers blamed the overinflated pricing on Vetements’ part, and consumers’ shifting their taste towards Balenciaga.

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Op-Ed: Is Haute Couture Losing Its Meaning?

Each season the Chambre Syndicale de la Haute Couture (CSHC) meets to decide which guest designers get to show during the haute couture calendar in Paris. These designers, while not being formally accepted into the rarefied couture club, are considered as worthy of showing alongside the likes of Chanel and Dior. Its selection process is supposed to be rigorous and extremely selective, in order to reflect that haute couture is the pinnacle of fashion design and craftsmanship.

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VESTOJ X SZ: WHAT REVOLUTION? T-MAGAZINE, GUCCI, AND VETEMENTS.

We would like to announce our collaboration with Vestoj – the Platform for Critical Thinking on Fashion. Through an ongoing exchange of articles about recent fashion developments we will aim to delve deeper into the state of fashion and the fashion media today. In our first exchange we share reactions to a major piece published in T-Magazine of the New York Times. Stay tuned for the response from Vestoj to the article below.

London Fashion Week Fall Winter 2016, Day 3

Op-Ed: The Rise of the Fashion Hipster

This past Paris fashion week the young label Vetements headed by Demna Gvasalia was the talk of the town, and their instantly recognizable logoed raincoats and sweatshirts were seemingly everywhere. They were mostly worn by the young, self-conscious, well-informed fashion insiders and were instant fodder for the street-style photographers, who themselves tend to be young, self-conscious, and well-informed.

Instagrammable Fashion

Op-Ed: The Rise of Instagrammable Fashion

It’s no longer news that Instagram has become fashion’s most embraced Internet tool. It has created a myriad of self-made, self-promoting starlets, turbo-boosted the rise of street style photography, and has fashion executives biting their elbows trying to come up with ways to market and sell products on the app. But, perhaps most importantly, it has influenced fashion design itself.

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2015 – Gucci, Vetements, and Hype

This year is drawing to a close and a lot has happened in fashion, most of it not so good. I am not talking about the departed: Raf Simons from Dior (good for him), Alexander Wang from Balenciaga (good riddance), and Alber Elbaz from Lanvin (good lord!). I am talking about the arrivistes: namely, Gucci under Alessandro Michele and Vetements under Demna Gvasalia. And not just about them, but about the reaction on the part of the fashion media to their work.

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Op-Ed: Why Fashion Is Not Crashing

Last week Raf Simons left Dior after only three and a half year tenure. Some weeks before that, Alexander Wang exited Balenciaga. Both designers cited the desire to concentrate on their own brands as the main reason for leaving and made the obligatory public statements of gratitude to their corporate employers. But some in the fashion press took the opportunity to voice the old refrain – the fashion system is broken and it needs to be fixed.