For the aesthetically inclined and designed conscious there is probably no better place on earth than Tokyo. And for science fiction fans it’s probably the closest thing to encountering another humanoid civilization – things are similar enough and foreign enough in Tokyo to make it all the more exciting, even though in the last couple of years the intractable march of globalization of culture has left an indelible stamp on the city. I’ve been to Tokyo three times and by now feel confident enough to write a guide of sorts. Because there is so much to do and see here, I decided that the best approach is to break it down by neighborhood rather than the list of places, because there are too many of them. Tokyo is vast – don’t even think about spending less than a week here. I’ll list the neighborhoods more or less in order of preference or proximity to each other. Aside from these recommendations, the best advice I can give you is to get lost in the wonderful maze of Tokyo’s streets – because the best spots are often in the back alleys off the main thoroughfares. You’ll need your GPS.
On Friday Olivier Theyskens presented his most convincing collection since he relaunched his eponymous label two years ago.
We would like to present to you Yohji Yamamoto’s Fall/Winter 2018 Women’s Paris collection.
Photography by Matthew Reeves.
Paris was its usual gray and cold, a kind of weather for which “discomforting” is the best word. They are still short on comfort in Paris, 21st Century be damned, and maybe there is a kind of purpose in that, lest we humans get too self-satisfied.
We would like to present to you Yohji Yamamoto’s Fall/Winter 2018 Men’s Paris collection.
Photography by Matthew Reeves.
New York Fashion Week has become such a dispiriting spectacle of banality and celebrity entertainment that I did not go a single show. So, on to Paris, the home of real design, or, more accurately, a place where real design is shown.
If I had to summarize this past menswear season, it’d be the one of plenty of good product and few good ideas. It was neither weak nor strong, pretty much in tune with what I have come to expect of fashion as of late.
Men’s fashion has been now thoroughly splintered into parts that cater to the youngsters and to the adults, and nowhere has this been more evident than at Pitti Uomo in Florence, where the bulk of the trade fair itself is devoted to traditional menswear, and where three designers that are of interest to the young were showing – Gosha Rubchinkiy, Visvim, and Raf Simons.
We would like to present to you Yohji Yamamoto’s Spring/Summer 2017 Men’s Paris collection.
Photographer: Wenjun Liang, Model: Yudu Zheng @ IMG, Stylist: Christine de Lassus @ Art Department, Stylist Assistant: Armando Figueredo, Make Up: Miguel Lledo, Hair : Shinya Nakagawa
Everyone who goes through his formative years in a certain decade considers it the golden age. Obviously, the 90s were the best decade ever.
But let’s go beyond facetiousness. In terms of cultural production it is obvious that every decade has the good and the bad. What is more interesting is how much of the good and how much of the bad the zeitgeist of every decade produces, and what gets to hit the mainstream. Why 90s matter is that it was the decade when culture, and fashion as part of culture, took the last stand before succumbing to pure, unapologetic commerce.